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Progland was founded by John Gabbard in 2005. It's purpose has been to provide you, the music community with the latest music and dvd reviews. It will continue to be your link to the most popular music reviews in the progressive world.

 

Progression-"The Dream of Cecilia"

Label - Self Released
Reviewed by:

Erik Neuteboom

www.progwalhalla.com

Genre:
Jazz-Fusion
Country:
Finland
Length:
44:00
Release Date:
2008
Band Members: Harri Nokso- guitar Jaan Jaanson- guitar
  Toni Lustila- drums Ilpo Peltonen- bass
  Jussi-Natti Haavisto- viola, keyboards Kimmo Pörsti- percussion
 
Track Listing: 1.)-The Dream Of Cecilia - 6:34  
  2.)-Wild Night At Tall Jack´s - 5:08  
  3.)-Nightmare - 5:57  
  4.)- Chaser´s Rhapsody - 1:53  
  5.)-Gangsta Race - 4:42  
  6.)-Bright Light From High - 7:06  
  7.)- Little Confusion - 3:11  
  8.)-Mental Activity - 7:53  

Review:

Last month I noticed a parcel from Finland in my mail box, a further investigation revealed that it was send by the Finnish band Progression. Perhaps they were inspired by other Finnish band Mist Season because I have written reviews about them on the Internet. Progression was founded in 1976, they made a demo, did a few gigs and twenty years later they were refounded by original member Harri Nokso with “new members and new ideas”. And Progression even has her own ‘rock-jazz event’ entitled Fusion (once featuring fellow Finnish band Mist Season). In 2007 Progression released her instrumental debut CD The Dream Of Cecilia, finally!

On this CD the band describes her music as ‘groovy jazzrock’, influenced by Mahavishnu Orchestra, Billy Cobham and John McLaughlin. In the 9 meledic, mainly swinging compositions I hear elements from Mahavishnu Orchestra, Al DiMeola and JL Ponty, played very energetic and convincing: an adventurous, often propulsive rhythm-section, powerful dual-guitarwork, sparkling violinplay and some songs contain keyboards, it sounds fluent and exciting, what a band! The only mellow song is Bright Light From High featuring dreamy work on acoustic – and electric guitar and a sitar-like sound. But in general Progression indeed delivers ‘groovy jazzrock’ with strong interplay and cascades of solos on guitar (in almost every song fiery work by the two guitarplayers, in some songs dual guitarwork like in Nightmare and Hyperactive Games), on violin (swirling in Nightmare, Gansta Race and Mental Activity) and on keyboards (swinging Fender piano in the titletrack and spectaculair synthesizer fights in Bright Light From High, Hyperactive Games and Little Confusion).

To me this album sounds as a splendid tribute to the Seventies jazzrock, highly recommended to the jazzrock aficionados!

www.progwalhalla.com

 

 

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